Media captionCatherine Bott performs a dubstep version of Purcell's Music for a While From Kanye and Jay-Z to Purcell, pitch correction software has transformed music. But is it innovation or merely cheating?
'My job used to be finding good singers. Ctl 2go Pc Drivers. Now I just have to find good-looking singers.' This statement - made by a producer to Dr Andy Hildebrand, the inventor of Auto-Tune - will depress many. Seventeen years on from its creation, opinions remain split on the software that can turn a duff note into a sweet one. For some, it is the epitome of cheating.
But for others, like performer Kanye West, pitch correction technology can be an instrument in itself. Image caption Dr Andy Hildebrand still composes music Having specialised in acoustic tests of seismic information, he realised in 1996 that similar technology could analyse and modify the pitch of audio files without excessively affecting vocal quality. Dynamode Wifi Drivers.
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Dr Hildebrand, CEO and research scientist at Antares Audio Technology, was at a dinner party when a guest asked if he could work on a machine that could make her sing in tune. 'Everyone around the table looked glum,' he said. 'I worked on another project, then I looked back and thought, 'that's easy'.'
In 1998 the public was introduced to the extreme end of the Auto-Tune effect - Cher's robotic vocal on Believe, which helped make it the biggest-selling UK single of that year. Studio engineer Tom Bailey uses pitch correction more subtly and denies it has become a blanket tool for cheating.
The singer is the human connection with the song. It's the thing you lose when you correct every possible defect Neil McKenzie, Music critic The less you have to move a note, he explains, the more natural it sounds. 'It's unfair to suggest that everybody has an enormous amount of pitch correction,' he goes on. Phast Cracked. 'There have been some albums I've worked on where virtually none's been used, and there have been some where pretty much every note has been checked and adjusted.' For Radio 4 documentary, classical singer and Radio 3 broadcaster Catherine Bott visited composer and producer Steve Pycroft in his studio.
She submitted her own performance of Purcell's Music for a While for a dubstep makeover using one of several pitch correction programs. Listening as her performance took on the clipped, robotic tones of a dance vocal, she said the result 'exposes every nuance'.
'What I'm hearing is this extraordinary technology revealing you to yourself. 'I deliberately didn't put much vibrato in the sound but pitch correction has added much more. It's Purcellian ornamentation.'
For many music fans, however, feeding a vocal through a computer filter removes the vital ingredient - soul. Music critic Neil McKenzie is one of them. 'The singer is the human connection with the song,' he says. Image caption Cher's Believe introduced the extremes of pitch correction to the charts 'It's the soul and the heart, and it's the thing you lose when you correct every possible defect.